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Yasuhiro Murakami's
Archive
ネリベルの教則レコード/CD
ネリベル製作による教則レコードはフォークウェイ・レコーズから８品目発売され、2000年代にスミソニアン・フォークウェイズ・レコーディングズからCD化されている。解説書はレコードに付属の品をスキャンしたPDF書類が音声CDに収録され、パソコン等で読み込む。以下の画像はLPレコードのジャケット。CDは左に黒い帯があり、Smithonian Folkways Archivalと記載。CDは紙ジャケット。
購入はAmazon等でも可能（トラックごとにダウンロードもできるが解説書はない）。利用できるなら、World Music Storeのサイトが安くて便利。
1. The Orchestra and its Instruments
オーケストラとその楽器
ナレーター：アレキサンダー・セムラー（Alexander Semmler）
LP：1959, Folkways Record, FT 3602
CD：Smithonian Folkways Recordings
1. Single Instruments - 5:56
2. Duo to Chamber Orchestra - 16:47
3. The Individual Groups - 8:16
4. Special Effects - 2:53
5. Combination of Groups - 9:10
6. Special Recording Techniques - 3:43
7. Conclusions - 1:49
2. Traditional Harmony
伝統的和声学（16世紀のスタイルの）
ナレーター：ウィリアム・ガイブ（William Geib）
LP：1962, Folkways Record, FT 3604
CD：Smithonian Folkways Recordings
1. Chords - 3:37
2. Close and Open Harmony - 2:15
3. Relationship Between Chords - 5:38
4. Classical Cadence - 1:23
5. Harmonization of a Melody With Triads (Root Form) - 2:24
6. Inversion of Triads - 3:50
7. Seventh Chords - 3:01
8. Inversions of Seventh Chords - 1:34
9. General Rules of Harmonization - 7:22
10. Ninth Chords - 1:41
11. Non-chord Notes - 3:49
12. Chromaticism - 2:37
13. Non-key Dominants - 1:31
14. Modulation - 4:25
15. Organ Point - 2:05
3. Forms in Instrumental Music
器楽曲の形式
ナレーター：ウィリアム・ガイブ（William Geib）
LP：1962, Folkways Record, FT 3605
CD：Smithonian Folkways Recordings
1. Figure (Motif) / Theme (medley) - 2:24
2. Dividing of a Figure - 2:04
3. Period -
4:24
4. Composition with One Theme / Songform (medley) - 9:42
5. Composition with One Theme / Variations / Chaconne and Passacaglia (medley) - 6:49
6. Composition with Two or More Themes: Rondo - 6:02
7. Composition with Two or More Themes: Sonata - 19:50
4. Modal Counterpoint
旋法的対位法（16世紀のスタイルによる）
ナレーター：ウィリアム・ガイブ（William Geib）
LP：1962, Folkways Records, FT 3606
CD：2007, Smithonian Folkways Recordings
1. Introduction - 2:57
2. Modes - 3:38
3. Musica Ficta, Tritone - 2:36
4. Cadences - 1:15
5. Rhythm - 1:35
6. Melody - 3:23
7. Counterpoint in Two Parts: General Rules - 6:49
8. Species: Counterpoint in Two Parts - 3:00
9. Other Features: Counterpoint in Two Parts - 2:11
10. Counterpoint in Three Parts - 4:40
11. Counterpoint in Four Parts - 2:28
12. Double Counterpoint in the Octave: Two-Part - 1:32
13. Double Counterpoint in the Tenth: Two-Part - 0:48
14. Double Counterpoint in the Twelfth: Two-Part Double Counterpoint in Three Parts -
2:10
15. Homophony in Contrapuntal Composition: Free Application of Contrapuntal Technique -
3:39
5. Music Arrangement
編曲法
ナレーター：ウィリアム・ガイブ（William Geib）
LP：1962, Folkways Record, FT 3607
CD：Smithonian Folkways Recordings
1. Introduction - 3:10
2. Free Arrangement of a Folksong - 14:52
3. Free Arrangement of a Folksong (Continued) - 7:04
4. Strict Arrangement of a Piano Composition - 9:54
5. Strict Arrangement of a Piano Composition (Continued) - 0:56
6. Strict Arrangement of a Piano Composition (Continued) - 1:59
7. Strict Arrangement of a Piano Composition (Continued) - 3:45
8. Strict Arrangement of a Piano Composition (Continued) - 2:33
9. Strict Arrangement of a Piano Composition (Continued) - 3:18
10. Background Scoring - 12:31
11. Organ-Like Orchestration of a Chorale - 4:17
6. The Fugue
フーガ（18世紀のスタイルの）
ナレーター：ウィリアム・ガイブ（William Geib）
LP：1964, Folkways Record, FT 3609
CD：Smithonian Folkways Recordings
Disc 1
1. Subject - 8:22
2. Subject - 2:51
3. Form of the Fugue Exposition - 8:19
4. Counter-subject - 2:05
5. Third and Fourth Voice - 8:04
6. Order of Voice Entrances - 3:28
7. Counter-exposition - 2:53
8. Special Features of the Exposition - 9:21
9. Development - 10:17
Disc 2
1. Development - 14:28
2. Stretto - 12:41
3. Climax - 6:19
4. Coda - 15:16
5. More about Climax - 2:57
6. Double Fugue - 5:28
7. Tonal Counterpoint
調性的対位法（18世紀のスタイルの）
ナレーター：ウィリアム・ガイブ（William Geib）
LP：1962, Folkways Record, FT 3610
CD：Smithonian Folkways Recordings
Disc One
1. Introduction - 5:56
2. Melody - General - 5:57
3. Melodic Outline - Motive-sequence - 12:38
4. Two-part Counterpoint: Intervals - 4:30
5. Simultaneous Motion - 1:52
6. Melody in Two-part Counterpoint - 2:53
7. Harmony in Two-part Counterpoint - 5:32
8. Imitation - Canon - 10:05
Disc Two
1. Two-part Counterpoint: Double Counterpoint at the Octave - 3:40
2. Double Counterpoint at the Tenth - 1:50
3. Double Counterpoint at the Twelfth - 3:55
4. Double Counterpoint at the Octave, Tenth and Twelfth - 2:46
5. Double Counterpoint at the Octave, 10th and 12th - 0:46
6. Composition, Invention - 3:33
7. Three-part Counterpoint - 8:25
8. Three-part Counterpoint: Complementary Rhythm - 1:21
9. Canon - 2:49
10. Triple Counterpoint at the Octave - 2:59
11. Four-part Counterpoint - 5:52
12. Quadruple Counterpoint at the Octave - 1:10
13. Canon - 3:07
8. Twelve-Tone Compsition
12音作曲技法
ナレーター：ウィリアム・ガイブ（William Geib）
LP：1961, Folkways Record, FT 3612
CD：Smithonian Folkways Recordings
1. From Tonality to Atonality - 6:47
2. Building a Twelve-tone Series - 4:24
3. Musical Themes in a Twelve-tone Series - 1:32
4. Series Forms: Original, Retrograde, Inversion, Retrograde- Inversion - 3:30
5. Creating Vertical Patterns: Two-part, Three-part and Four- part Composition - 5:49
6. Transposing a Series - 1:04
7. Symetric Series - 2:05
8. All-interval Series - 2:41
9. Harmony: Chords: Tonic, Dominant, Subdominant; Tonality, Cadence - 5:33
10. Chord-foreign Notes - 3:06
11. Tension and Resolution: Consonance and Dissonance; Tonality Atonality; Diatonic; Chromatic - 5:10
12. Intervals - 1:37
13. Scales: Chromatic; Whole-tone; Major; Minor; Minor Melodic; Gypsy or Oriental; Chinese or Pentatonic - 4:54
14. Transposition - 0:59
15. Demonstration of Various Terms: Polytonality; Horizontal; Vertical; Homophony; Polyphony - 4:58
16. Retrograde Mirror Form - 1:27